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Breslin became a regular, as did Gloria Steinem, who wrote the city-politics column, and Gail Sheehy. Barbara Goldsmith was a Founding Editor of New York magazine and the author of the widely imitated series, "The Creative Environment", in which she interviewed such subjects as Marcel Breuer, I. Pei, George Balanchine, and Pablo Picasso about their creative process.

(Sheehy would eventually marry Felker, in 1984.) Harold Clurman was hired as the theater critic. Gael Greene, writing under the rubric "The Insatiable Critic", reviewed restaurants, cultivating a baroque writing style that leaned heavily on sexual metaphor.

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Edited first by Sheldon Zalaznick and then by Clay Felker, the magazine showcased the work of several talented Tribune contributors, including Tom Wolfe, Barbara Goldsmith, and Jimmy Breslin.

In 1976, journalist Nik Cohn contributed a story called "Tribal Rites of the New Saturday Night," about a young man in a working-class Brooklyn neighborhood who, once a week, went to a local disco called Odyssey 2001; the story was a sensation and served as the basis for the film Saturday Night Fever.

Twenty years later, Cohn admitted that he'd done no more than drive by Odyssey's door, and that he'd made the rest up.

Founded by Milton Glaser and Clay Felker in 1968 as a competitor to The New Yorker, it was brasher and less polite, and established itself as a cradle of New Journalism.

Over time, it became more national in scope, publishing many noteworthy articles on American culture by writers such as Tom Wolfe, Jimmy Breslin, Nora Ephron, John Heilemann, Frank Rich, and Rebecca Traister.

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